Crediting Choreography and the Politics of Hair in Ballet

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Links referenced in/relevant to episode 113:
-Associated Press coverage of allegations against Break the Floor: https://apnews.com/article/dance-company-sexual-misconduct-allegations-190b7a81d2aeccde252bae59b4509f03
-AP (via Washington Post) story on the Egyptian woman sentenced to prison in TikTok dance case: https://www.washingtonpost.com/world/egyptian-woman-sentenced-to-3-years-in-tiktok-video-case/2022/04/19/08471c3a-bff2-11ec-b5df-1fba61a66c75_story.html
-New York Times feature on Ballet Black’s anniversary: https://www.nytimes.com/2022/04/25/arts/dance/ballet-black-london.html
-Dance Magazine feature on Ballet Black: https://www.dancemagazine.com/ballet-black/
-Pointe story on the Youth America Grand Prix winners: https://pointemagazine.com/yagp-winners-2022/
-Vulture tribute to Robert Morse: https://www.vulture.com/article/robert-morse-mad-men-best-things-dancer-interview.html
-Dance Magazine feature on crediting choreography: https://www.dancemagazine.com/credit-where-its-due-handling-credit-on-collaborative-creations/
-Pointe story on hair in “Serenade”: https://pointemagazine.com/hair-serenade-ballet/
-Pointe story on diversifying hair in ballet: https://pointemagazine.com/why-we-need-to-diversify-hair-in-ballet/