Links referenced in/relevant to this episode:
-Miami City Ballet’s alternative-season plans: https://www.palmbeachdailynews.com/entertainment/20200818/miami-city-ballet-revamps-season-as-pandemic-persists
-How Pacific Northwest Ballet is pulling off an all-digital season: https://www.seattletimes.com/entertainment/dance/how-pacific-northwest-ballet-plans-to-pull-off-an-all-digital-season/
-Pointe’s article on how ballet can survive COVID: https://www.pointemagazine.com/ballet-companies-covid-19-2646951540.html
-The New York Times’ profile of Aesha Ash: https://www.nytimes.com/2020/08/13/arts/dance/aesha-ash-american-ballet-faculty.html
-Karyn Collins’ “Does Classicism Have a Color?” from 2007: https://www.dancemagazine.com/does-classicism-have-a-color-2306861395.html
-Gia Kourlas’ “Where Are All the Black Swans?” from 2007: https://www.nytimes.com/2007/05/06/arts/dance/06kour.html
-Silas Farley’s “Songs from the Spirit”: https://www.youtube.com/watch?v=1wCrixxEEyQ
-Information about Silas’ Works & Process virtual commission: https://www.guggenheim.org/event/works-process-silas-farley