“Mr. B,” Playbill Leaves Twitter, and Baryshnikov’s Perspective

A transcript of this episode is available here: https://thedanceedit.com/transcript-episode-133

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Links referenced in/relevant to episode 133:
-New York Times story on gender discrimination suit against Paul Taylor Dance Company: https://www.nytimes.com/2022/11/03/arts/dance/paul-taylor-dance-company-lawsuit.html
-The Times review of Jennifer Homans’ “Mr. B”: https://www.thetimes.co.uk/article/mr-b-by-jennifer-homans-the-cruel-genius-of-george-balanchine-fd6dtrwd2
-New York Times review of “Mr. B”: https://www.nytimes.com/2022/10/31/books/jennifer-homans-george-balanchine.html
-NYU interview with Homans: https://www.nyu.edu/about/news-publications/news/2022/november/was-choreographer-george-balanchine-ahead-of-his-time-or-of-it-.html
-Dance Data Project’s study on artistic and executive director compensation: https://www.dancedataproject.com/wp-content/uploads/2022/11/Artistic-Director_Executive-Director-Compensation-Data-Byte.pdf
-Stuff coverage of the resignation of Royal New Zealand Ballet’s executive director: https://www.stuff.co.nz/entertainment/arts/130337207/royal-new-zealand-ballet-executive-director-lester-mcgrath-quits
-Pointe interview with Mikhail Baryshnikov: https://pointemagazine.com/mikhail-baryshnikov/
-The Guardian interview with Baryshnikov: https://www.theguardian.com/stage/2022/nov/07/mikhail-baryshnikov-ballet-dancer